Jason

The Oracle- To begin, this movie has a great beginning; it pulled me right into it.This is something not usually seen in movies of this type, so it makes it an unusual, yet pleasant experience.The action scenes are really great. Caroline Capers Powers played his role great. Roger Neil actually caught my interest.

I think Caroline Capers Powers and Roger Neil worked wonderful in The Oracle. The great supporting cast includes Caroline Capers Powers, Roger Neil, Pam La Testa, Victoria Dryden, Chris Maria De Koron.

All in all, I would rate this movie an 8.5/10. I would definitely watch this movie again.

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Summary of The Oracle:
JENNIFER CAN SEE THE FUTURE! Moving into an apartment formerly occupied by an old gypsy medium, Jennifer and her husband discover an automatic writing device used to communicate with the dead, "The Oracle." It doesn't take long before Jennifer is contacted by the ghost of a murdered man who wants her help in seeking revenge on his killers; his wife's lover and a psychotic transvestite lesbian assassin. Battling possession as the tormented spirit terrorizes and manipulates her, Jenny finds herself directly in the path ofa dark and violent force. gory, dreadful disaster... Robert Firsching, All Movie Guide NYTIMES.com

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Narrow Margin was an incredible movie! Both Gene Hackman and Anne Archer were amazing! Maybe thats what makes the movie so good.The great cast includes Gene Hackman, Anne Archer, James Sikking, J.T. Walsh, M. Emmet Walsh. The movie moves on like a dream and end leaving you wanting for more.

If you love watching Gene Hackman or Anne Archer, you are deffinetly going to want to watch Narrow Margin.

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Back in 1952, during the waning days of film noir, director Richard Fleischer made The Narrow Margin, a cheaply produced, tightly structured B movie thriller about a cop forced to protect a gangster's widow while on a train. While it's no work of art, Fleischer's noir features a shocking climax of mistaken identity, an ominous, claustrophobic atmosphere, and tough, nearly unlikable protagonists screwed by fate, who spout sharp-witted dialogue and feel little more than contempt for each other. When Hollywood remakes itself, all the understatement and charm is usually lost when the filmmakers try to "modernize" the subject matter. This is one of many problems with writer-director Peter Hyams's remake (given the slightly shorter title Narrow Margin). He's dumped the surprising plot twist (it's now an action set piece atop a moving train) and softened the characters (now played with sleepwalking intensity by Gene Hackman and Anne Archer) with preposterous motivations. All that seems to be intact is the train premise, but Hyams is more interested in its action potential than any kind of menacing atmosphere. He's dropped the ambiguous relationships and smart dialogue in favor of pumping up the action sequences and daredevil stunts to ridiculous levels. Instead of adding excitement, all Hyams's expensive tricks do is drain Narrow Margin of any tension it might've retained from the original. --Dave McCoy

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